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Watching a Man Break a Dog’s Back  explores the question of how to live in a natural landscape that offers beauty while being consumed by industry, and in an economy that offers material benefits while denying dignity, meaning and a voice to many in order to satisfy the outsized appetites of the few. A  cri de coeur  from a poet who has long celebrated the voices of working people, the collection also grapples with why “anyone, in this era so profoundly lacking in grace, might want to make poems—or any kind of art.” But the keen sense of justice that drives the collection is tempered by the poet’s reluctance to take himself too seriously: “Centuries without the benefit / of my presence / have to be made up for / by my words.” The poet brings the perspective of age to our current troubled existence, with the reminder that as a society and as individuals we’ve faced perilous times before, and that our shared mortality links us more than circumstances and politics divide us.

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<P>The Complete Poetry of Aimé Césaire gathers all of Cesaire's celebrated verse into one bilingual edition. The French portion is comprised of newly established first editions of Césaire's poetic œuvre made available in French in 2014 under the title Poésie, Théâtre, Essais et Discours, edited by A. J. Arnold and an international team of specialists. To prepare the English translations, the translators started afresh from this French edition. Included here are translations of first editions of the poet's early work, prior to political interventions in the texts after 1955, revealing a new understanding of Cesaire's aesthetic and political trajectory. A truly comprehensive picture of Cesaire's poetry and poetics is made possible thanks to a thorough set of notes covering variants, historical and cultural references, and recurring figures and structures, a scholarly introduction and a glossary. This book provides a new cornerstone for readers and scholars in 20th century poetry, African diasporic literature, and postcolonial studies.</P>

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<P>Understanding the current moment in poetry can be a difficult task, as the reader must sort among the avant-garde and mainstream, the traditional and the experimental. A welcome introduction to contemporary poetics, this collection represents one of the first attempts to chart the progress of a new generation of poets. Each chapter focuses on one poet, and includes a selection of poems, a brief statement of purpose by the poet, and a critical essay by a notable scholar. Working in forms ranging from the post-confessional lyric to documentary poetics, from the prose poem and the sonnet to sound poetry, these thirteen poets rank among the most notable and distinct of recent years. American Poets in the 21st Century will serve as a useful and enlightening guide for any reader interested in how new American poetry can look, feel, and sound. The enclosed CD includes each of the thirteen poets reading their work.</P><P>Poets include: Joshua Clover, Stacy Doris, Peter Gizzi, Kenneth Goldsmith, Myung Mi Kim, Mark Levine, Tracie Morris, Mark Nowak, D.A. Powell, Juliana Spahr, Karen Volkman, Susan Wheeler, and Kevin Young. </P><P><B>Hardcover is un-jacketed.</B></P>

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<P>The Anthropocene is a term proposed for the present geological epoch (from the time of the Industrial Revolution onwards) to highlight the role of humanity in the transformation of earth's environment globally, has become the subject of scholarship not only in the sciences, but also in the arts and humanities as well. Ecopoetics, a multidisciplinary approach that includes thinking and writing on poetics, science, and theory as well as emphasizing innovative approaches common to conceptual poetry, rose out of the late 20th-century awareness of ecology and concerns of environmental disaster.</P><P>Collected from contributors including Brenda Hillman, Eileen Tabios, and Christopher Cokinos, and together a monument to human responsiveness and invention, Counter-Desecration is a book of ecopoetics that compiles terms—borrowed, invented, recast—that help configure or elaborate human engagement with place. There are no analogous volumes in the field of ecocriticism and ecopoetics. The individual entries, each a sketch or a notion, through some ecopoetic lens—anti-colonialism, bioregionalism, ecological (im)balance, indigeneity, resource extraction, extinction, habitat loss, environmental justice, queerness, attentiveness, sustainability—focus and configure the emerging relations and effects of the Anthropocene. Each entry is a work of art concerned with contemporary poetics and environmental justice backed with sound observation and scholarship.</P>

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Body Count focuses on Jamieson’s experience with a concussion and post-concussion syndrome and deals with the embodied costs of misogyny, the hostilities and precarities of life under neoliberal global capitalism, connection amidst the proliferation of persuasive technologies and the dizzying escapism of romance and pleasure—before the roughly chronological text is interrupted by a brain injury and its attendant symptoms: migraines, light and sound sensitivity, proprioceptive and ocular dysfunction, cognitive deficits, memory impairment, anxiety, depression, irritability, weakness and fatigue. Jamieson’s poems use plain language to journey through dreamscapes and pain states in search of new understandings of self and worth. Body Count is about the toll illness takes, but it is also an insistence that the body, and somatic ways of knowing, count. This is the first poetry collection by a Canadian writer to illuminate the experience of a concussion and PCS, which is a deceptively simple medical diagnosis used to describe a constellation of symptoms requiring a multitude of treatments, therapies and exercises.

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This is an attempt to expose our human achievement beginning from creation or the big bang to the present time. In between, we will find an outlook of nature and how it protects us, supplies our needs, and even encourages us to cooperate for the good of man and the universe. In addition, you will find this book to stimulate your imagination and, in some cases, satisfy your curiosity.

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A Walk Through Life’s Doors is my second book of poems. It is my description of what poetry is to me. It is what I use to process my life’s ups and downs and the good and bad—memories that I want to remember. These are poems of the places my heart has been to; it’s a journey through my world.
I believe that this book of poetry will relate to many of you who have gone through so many of life’s experiences dealing with love, hope, anger, and death. These poems live somewhere between a poem and a short story of my life, and I cherish them because I have lived in each one of them.

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This book contains a collection of poetry written by Percy Bysshe Shelly, originally published in 1810. It was Shelley's first published volume of poetry and was written in collaboration with his sister Elizabeth. This wonderful collection of Shelley’s early poetry is highly recommended for fans of his seminal work, and it is not to be missed by collectors. The poems contained herein include: “Letter”, “Song”, “Despair”, “Sorrow”, “Hope”, “Song, Translated from the Italian”, “Song, Translated from the German”, “The Irishman’s Song”, “St. Edmond’s Eve”, “Revenge”, “Ghasta, or the Avenging Demon”, and many more. Percy Bysshe Shelley (1792 – 1822) was an important English Romantic poet who is widely regarded as one of the finest lyric poets in the English Language. Many vintage texts such as this are increasingly scarce and expensive, and it is with this in mind that we are republishing this book now, in an affordable, high-quality, modern edition. It comes complete with a specially commissioned biography of the author.

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