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Religion and magic have played important roles within Eastern European societies where social reality and socio-political balance may differ greatly from those in the West. Although often thought of as being two distinct, even antagonistic forces, religion and magic find ways to work together.
By taking on various examples in the multicultural settings of post-Soviet and post-socialist spaces, this collection brings together diverse historical and ethnographic analyses of orthodoxy and heterodoxy from the pre- and post-1989 periods, studies on the relationship of religious and state institutions to individuals practicing alternative forms of spirituality, and examples of borderlands as spaces of ambiguity.
This volume is at the crossroads of anthropology, history, as well as cultural memory studies. Its archival and field research results help us understand how repurposing religious and magic practices worked into the transition that countries in Eastern Europe and beyond have experienced after the end of the Cold War.
By taking on various examples in the multicultural settings of post-Soviet and post-socialist spaces, this collection brings together diverse historical and ethnographic analyses of orthodoxy and heterodoxy from the pre- and post-1989 periods, studies on the relationship of religious and state institutions to individuals practicing alternative forms of spirituality, and examples of borderlands as spaces of ambiguity.
This volume is at the crossroads of anthropology, history, as well as cultural memory studies. Its archival and field research results help us understand how repurposing religious and magic practices worked into the transition that countries in Eastern Europe and beyond have experienced after the end of the Cold War.
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"An expansive spectrum of literary purpose and aesthetics that shine fiercely" —from the introduction by Jaki Shelton Green, North Carolina Poet Laureate The Carolina African American Writers’ Collective celebrates its twenty-fifth anniversary with All the Songs We Sing , an anthology of works by members of the Collective, edited by its founder, Lenard D. Moore. North Carolina Poet Laureate Jaki Shelton Green introduces the anthology, which includes works by Lenard D. Moore, Bridgette A. Lacy, Crystal Simone Smith, Evie Shockley, Camille T. Dungy, Carole Boston Weatherford, and many others. Individually, these poems, stories, and essays have helped these Carolinians voice their experiences, remind us of our history, and insist on change, and gathered together, their chorus is turned all the way up and demands to be heard. These writers have shaped the modern literary landscape of the Carolinas for the last twenty-five years and will continue to influence and inspire African-American writers for generations to come.