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Behind the scenes at a creationist theme park with a mission to convert visitors through entertainment [b][/b]Opened to the public in July 2016, Ark Encounter is a creationist theme park in Kentucky. The park features an all-timber re-creation of Noah's ark, built full scale to creationist specifications drawn from the text of Genesis, as well as exhibits that imagine the Bible’s account of life before the flood. More than merely religious spectacle, Ark Encounter offers important insights about the relationship between religion and entertainment, religious publicity and creativity, and fundamentalist Christian claims to the public sphere. James S. Bielo examines these themes, drawing on his unprecedented behind-the-scenes access to the Ark Encounter creative team during the initial design of the park. This unique anthropological perspective shows creationists outside church contexts, and reveals their extraordinary effort to materialize a controversial worldview for the general public. Taking readers from inside the park’s planning rooms to other fundamentalist projects and diverse Christian tourist attractions, Bielo illuminates how creationist cultural producers seek to reach both their constituents and the larger culture. The “making of” this creationist theme park, Bielo argues, allows us to understand how fundamentalist culture is produced, and how entertainment and creative labor are used to legitimize creationism. Through intriguing and surprising observations, Ark Encounter challenges readers to engage with the power of entertainment and to seriously grapple with creationist ambitions for authority. For believers and non-believers alike, this book is an invaluable glimpse into the complicated web of religious entertainment and cultural production.

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Evangelical Bible study groups are the most prolific type of small group in American society, with more than 30 million Protestants gathering every week for this distinct purpose, meeting in homes, churches, coffee shops, restaurants, and other public and private venues across the country. What happens in these groups? How do they help shape the contours of American Evangelical life? While more public forms of political activism have captured popular and scholarly imaginations, it is in group Bible study that Evangelicals reflect on the details of their faith. Here they become self-conscious religious subjects, sharing the intimate details of life, interrogating beliefs and practices, and articulating their version of Christian identity and culture.In Words upon the Word , James S. Bielo draws on over nineteen months of ethnographic work with five congregations to better understand why group Bible study matters so much to Evangelicals and for Evangelical culture. Through a close analysis of participants' discourse, Bielo examines the defining themes of group life—from textual interpretation to spiritual intimacy and the rehearsal of witnessing. Bielo's approach allows these Evangelical groups to speak for themselves, illustrating Bible study's uniqueness in Evangelical life as a site of open and critical dialogue. Ultimately, Bielo's ethnography sheds much needed light on the power of group Bible study for the ever-evolving shape of American Evangelicalism.

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The Emerging Church movement developed in the mid-1990s among primarily white, urban, middle-class pastors and laity who were disenchanted with America’s conservative Evangelical sub-culture. It is a response to the increasing divide between conservative Evangelicals and concerned critics who strongly oppose what they consider overly slick, corporate, and consumerist versions of faith. A core feature of their response is a challenge to traditional congregational models, often focusing on new church plants and creating networks of related house churches. Drawing on three years of ethnographic fieldwork, James S. Bielo explores the impact of the Emerging Church movement on American Evangelicals. He combines ethnographic analysis with discussions of the movement’s history, discursive contours, defining practices, cultural logics, and contentious interactions with conservative Evangelical critics to rethink the boundaries of “Evangelical” as a category. Ultimately, Bielo makes a novel contribution to our understanding of the important changes at work among American Protestants, and illuminates how Emerging Evangelicals interact with the cultural conditions of modernity, late modernity, and visions of “postmodern” Christianity.

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