LITMIR.BIZ

"To find highest beauty is to find God; to reveal, to embody, to create, as we say, highest beauty is to bring out of our souls the living image and power of God." (Sri Aurobindo)
"Sri Aurobindo came to tell the world of the beauty of the future that must be realised. He came to give not a hope but a certitude of the splendour towards which the world moves. The world is not an unfortunate accident, it is a marvel which moves towards its expression. The world needs the certitude of the beauty of the future. And Sri Aurobindo has given that assurance." (The Mother)

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Sri Aurobindo came upon earth to announce the manifestation of the supramental world and not merely did he announce this manifestation but embodied also in part the supramental force and showed by example what one must do to prepare oneself for manifesting it. The best thing we can do is to study all that he has told us and endeavour to follow his example and prepare ourselves for the new manifestation. This gives life its real sense and will help us to overcome all obstacles. Let us live for the new creation and we shall grow stronger and stronger by remaining young and progressive. – The Mother

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This training unit contains a playful, handball-specific endurance unit. Each exercise is characterized by a high running intensity and is directly related to the handball game. After warm-up and ball familiarization as well as goalkeeper warm-up shooting, an endurance course is done. In this, two players have to accomplish a task as opponents. Which team is the first to score eight times? A sprint contest completes this intense training unit.
The training unit consists of the following key exercises: – Warm-up/Stretching (individual exercise: 10 minutes/total time: 10 minutes) – Ball familiarization (10/20) – Goalkeeper warm-up shooting (10/30) – Endurance course (50/80) – Sprint contest (10/90) Training unit total time: 90 minutes
Difficulty level: High level (youth teams under 17 years of age and adult teams)

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During the Beatle's second stay in Germany, they accompanied the british singer Tony Sheridan for a few recordings for the record company Polydor between the 22nd and 23rd June 1961. Among those recordings was the song «Why». The sheet music is available for piano/vocals.

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Here available is the sheet music of the title – Sleeping on the Job – for Piano, Vocals & Chords.

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Here available is the sheet music of the title – S.T.O.P. – for Piano, Vocals & Chords.

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Here available is the sheet music of the title – Ride Captain Ride – for Piano, Vocals & Chords.

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Here available is the sheet music of the title – Pride – for Piano, Vocals & Chords.

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This study aims at delineating the cultural work of magical realism as a dominant narrative mode in postcolonial British fiction through a detailed analysis of four magical realist novels: Salman Rushdie’s Midnight's Children (1981), Shashi Tharoor's The Great Indian Novel (1989), Ben Okri's The Famished Road (1991), and Syl Cheney-Coker's The Last Harmattan of Alusine Dunbar (1990). The main focus of attention lies on the ways in which the novelists in question have exploited the potentials of magical realism to represent their hybrid cultural and national identities. To provide the necessary historical context for the discussion, the author first traces the development of magical realism from its origins in European Painting to its appropriation into literature by European and Latin American writers and explores the contested definitions of magical realism and the critical questions surrounding them. He then proceeds to analyze the relationship between the paradigmatic turn that took place in postcolonial literatures in the 1980s and the concomitant rise of magical realism as the literary expression of Third World countries. .

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This book explores the issue of development-induced resettlement, with a particular emphasis on the humanitarian, legal, and social aspects of this problem. Today, so-called development-induced displacement and resettlement' (DIDR) is one of the dominant causes of internal spatial mobility worldwide. Each year over 15 million people are forced to abandon their homes to make space for economic development infrastructure. The construction of dams and irrigation projects, the expansion of communication networks, urbanization and re-urbanization, the extraction and transportation of mineral resources, forced evictions in urban areas, and population redistribution schemes count among the many possible causes.
Terminski aims to present the issue of development-caused displacement as a highly diverse, global social problem occurring in all regions of the world. As a human rights issue it poses a challenge to public international law and to institutions providing humanitarian assistance. A significant part of this book is devoted to the current dynamics of development-caused resettlement in Europe, which has been neglected in the academic literature so far.

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