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As if it weren’t bad enough being a failed romance writer with no sex life, poor Fiona Silk has to cope with the spectacularly embarrassing demise of her old lover, the poet, Benedict Kelly. It’s exactly the sort of thing people notice in St. Aubaine, Quebec, a picturesque bilingual tourist town of two thousand. Now the police start getting nasty, the media vans stay parked on her lawn and the neighbours’ tongues keep wagging in both official languages. Worse, someone’s bumping off the other suspects. Can Fiona outwit a murderer in the mood for some serious mischief?

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In the second Camilla MacPhee mystery, it’s now forty below in Canada’s capital, but victims’ advocate Camilla is feeling the heat. When a savage serial batterer goes on the rampage looking for revenge against his former girlfriend, the terrified woman turns to Camilla and Justice for Victims for help. But a sudden change of fortune causes her client to really feel the chill. Camilla wades into the investigation, now one of murder, and gets a frosty reception from the police. Soon everyone connected with the case is either cooling their heels behind bars or trying to avoid cold storage in the morgue. Camilla’s really skating on thin ice looking for this killer – literally.

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Winner of the 2004 ForeWord Book of the Year Award Toronto in 1856 is industrializing with little time for scruple or sentiment. When Reform politician William Sheridan dies suddenly and his daughter Theresa vanishes, only one man persists in asking questions. A former suitor of Theresa’s, bank cashier Isaac Harris has never managed to forget her, despite her marriage to another man. Thrust into the role of amateur detective, he must now struggle with the demands of his job and the shortcomings of the fledgling city police. He also faces the hostility of Theresa’s powerful husband, a steamboat and railway magnate. Harris’s search takes a grisly turn when, in a valley outside of town, he finds human remains decked in traces of Theresa’s finery. If she is dead, who is responsible? And who cares to find out, apart from the man who wooed her too timidly and now would do anything to make up for it? Death in the Age of Steam whirls the reader through a richly realized Victorian landscape, from Niagara Falls to Montreal and north as far as the shores of Lake Superior. It’s a world at once near and exotic, a world of noise and smoke and churning pistons, but a world still very familiar to denizens of the 21st century.

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Remembrance Day is a proud day for Camilla MacPhee’s good friend, Mrs. Violet Parnell, one of five thousand Canadian women to go overseas during World War II. But the next day she has vanished. Camilla, with only a few letters and documents to guide her, follows her friend to Tuscany, chasing though historic towns, across high promontories and along steep mountain roads. Vanishing old partisans and Allied aircraft crash sites keep Camilla hopping as she tries to find Mrs. P. before someone with a deadly serious reason to keep the past hidden finds her first. The fifth Camilla MacPhee takes the irascible Ottawa lawyer’s adventures to an exotic new locale, with the usual murderous results.

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The third Polly Deacon novel finds our heroine in the unlikely (and uncomfortable) job of designing a mascot (Kountry Kow) for a new mega-grocery store, despite vitriolic opposition by local merchants, including her aunt. This is nasty enough, but when allegations of municipal corruption arise concerning the sale of the property on which the store will stand, Polly’s sleuthing instincts take over, to the usual chagrin of her sometimes boyfriend, surly Detective Mark Becker. But the scene starts to get really ugly when people start dying – not exactly the family environment that the developers desire!

Аннотация

In the sequel to Down in the Dumps, Polly finds herself touring as set and puppet designer for a small rural theatre company. When the stage manager mysteriously fails to appear for the first rehearsal, Polly has to step in and do the job. The full-time employment is welcome, but the work is hell. Dealing with a cast of viciously feuding actors, a mysterious practical joker whose tricks are decidedly gruesome, and a deepening conviction that the stage manager has been murdered, Polly finds her new job more than a little stressful. Where’s the stage manager’s body? Is somebody really out to get the star of the show? Will the show open with all of the cast still breathing? The local police won’t show an interest, so the intrepid Polly investigates alone, unwittingly carrying out the murderer’s master plan, which almost ends in curtains for everybody.

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In the third Belle Palmer mystery, Belle takes her friend and employee on a snowshoe trek. Miriam MacDonald brings her spoiled mini-poodle, a gift from investment broker boyfriend, who promises huge returns on her life savings. Later that week, Miriam discovers Elphinstone bludgeoned to death in his condo. Although Miriam’s fingerprints alone are found on the Inuit sculpture murder weapon, the collapse of Elphinstone’s empire has ruined hundreds of people and made him many dangerous enemies. Miriam is eventually charged with second-degree murder and then, as Belle struggles to pull the pieces of a very complicated puzzle together, Miriam rushes off to North Bay to be with her ailing daughter, and Belle inherits the obnoxious poodle.. Meanwhile, a stalker now has Belle watching her back in the Northern Ontario bush she calls home. Will she find the killer before a bullet finds her?

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In the sequel to Northern Winters Are Murder, it’s now high summer in Northern Ontario, where everyone is bear bait, even the bears. Gunshots chase Belle Palmer from her quiet forest paths. Then, on her remote lakeside road, the savage and unexplainable murder of an elderly neighbour puts her on guard against two-footed killers. Does the answer lie in the woods? In the alleys of the Nickel Capital? Or in the black rock moonscape of an ecological disaster area Belle’s investigations gradually uncover the sordid details of a sexual abuse scandal in a residential school years before that has left scars on its victim that can never heal. The horrifying truth and its deadly fallout may destroy many more lives before this tragedy reaches its last act.

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Innocent scapegoat or monster manipulator? Matthew Fraser was an idealistic young teacher accused of molesting a young schoolgirl and acquitted in a sensational case that left the truth hidden and the young teacher’s life in tatters. Ten years later, his distraught confidante walks into Ottawa Police Inspector Michael Green’s office insisting that Fraser has vanished. Green’s curiosity is piqued when he discovers that Fraser left behind his beloved dog, a half-eaten dinner and an apartment crammed with research related to his case. Has Fraser fled to escape the wrath of victims, new or old? Or was he innocent all along and spent the last ten years trying to clear his name? And who is Fraser’s mysterious email correspondent with the user name Mistwalker?

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Inspector Green is coping with an office job, still eager to get back into the day-to-day fray of policing. His chance comes when an unidentified woman is drowned in the Ottawa River. In her possession is a Medal for Bravery from a peacekeeping mission. As Green and his team dig deeper into the military past, Green finds himself sucked not only into the murky past of a peacekeeping unit but into the high-stakes present of a federal election race. What crime was committed in Yugoslavia more than a decade ago? Is someone still killing to prevent that secret from coming to light? And does the diary of a dead soldier hold the key?