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An intimate portrait of Patrick O’Brian, written by his stepson Nikolai Tolstoy.Patrick O’Brian was one of the greatest British novelists of the twentieth century, securing his place in literary history with the bestselling Aubrey–Maturin series, books that have sold millions of copies worldwide and been hailed as the best historical fiction of all time.An exquisite novelist, translator and biographer, O’Brian moved in 1949 to Collioure in the south of France, where he led a secluded life with his wife Mary and wrote all his major works. The twenty books that make up the beloved Aubrey–Maturin series earned O’Brian the epithet ‘Jane Austen at sea’ for their authentic depiction of Nelson’s navy, and the relationship between Captain Jack Aubrey and his friend and ship’s surgeon Stephen Maturin. Outside his triumphant popularity in fiction, O’Brian also wrote erudite biographies of both Pablo Picasso and Joseph Banks, as well as publishing translations of Simone de Beauvoir and Henri Charrière.In A Very Private Life, Nikolai Tolstoy draws upon his close relationship with his stepfather, as well as his notebooks, letters and photographs, to capture a highly researched but intimate account of those fifty years in Collioure that were the richest of O’Brian’s writing life. With warm and honest reflection, this biography gives insight into the genius of the little-known man behind the much-loved writing. Tolstoy also tells how, through a sad irony, unjust attacks on O’Brian’s private life destroyed much of the happiness he had gained from his achievement just as his literary career attained greater acclaim.

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PART 3 OF 3The true story of a 6-year-old boy with a dreadful secret.Oskar’s school teacher raises the alarm. Oskar’s mother is abroad and he has been left in the care of ‘friends’, but has been arriving in school hungry, unkempt, and with bruises on his arms, legs and body. Experienced foster carer Cathy Glass is asked to look after him, but as the weeks pass her concerns deepen. Oskar is far too quiet for a child of six and is clearly scared of something or someone.And who are those men parked outside his school watching him?

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On the 250th anniversary of Captain Cook’s successful navigation to the coast of Australia, this is Alistair MacLean’s absorbing story of one of Britain’s great national heroes, from his obscure beginnings to his sudden and violent death at the age of fifty-one.When James Cook was hacked to death by Hawaiian islanders on 14 February 1779, he was already considered the greatest explorer of his age. Born in obscurity but gripped by a boundless passion for new horizons, he became the greatest combination of seaman, explorer, navigator, and cartographer that the world had ever known. He still is. He had driven himself mercilessly, and his men likewise, and yet the surgeon’s mate on the Resolution was able to write: ‘In every situation he stood unrivalled and alone; on him all eyes were turned; he was our leading star, which at its setting left us involved in darkness and despair’.Between 1768 and 1779, Captain Cook circumnavigated the globe three times in voyages of discovery that broke record after record of exploration, endurance, and personal achievement. He explored and charted the coasts of New Zealand, landed in Botany Bay, explored the Pacific, mapped its islands, and travelled further south than any man before him; he explored the Great Barrier Reef and travelled thousands of miles north to tackle the North-West Passage. He excelled in all aspects of his craft and inspired in his men an affection for him and an enthusiasm for his undertakings that provoked constant loyalty and unfailing endeavour in frequently savage conditions.Alistair MacLean presents a graphic and lively account of this great explorer, his three amazing voyages and the adventures that befell him, his crews, and his ships in lands that until he sailed were in many cases unknown. Cook’s life was a resounding success and the story of it is a thrilling exemplification of his own description of himself as a man ‘who had ambition not only to go farther than anyone had done before, but as far as it was possible for man to go’.

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The Sunday Times BestsellerFrom the award-winning writer of The Times Magazine's 'Spinal Column': a deeply moving, darkly funny, inspirational memoir‘It’s beautiful – full of love and light – and an exploration into not only how, but why we survive, despite everything’ Christie Watson, author of The Language of Kindness On Good Friday, 2010 Melanie Reid fell from her horse, breaking her neck and fracturing her lower back. She was 52.Paralysed from the top of her chest down, she was to spend almost a full year in hospital, determinedly working towards gaining as much movement in her limbs as possible, and learning to navigate her way through a world that had previously been invisible to her.As a journalist Melanie had always turned to words and now, on a spinal ward peopled by an extraordinary array of individuals who were similarly at sea, she decided that writing would be her life-line. The World I Fell Out Of is an account of that year, and of those that followed. It is the untold ‘back story’ behind Melanie’s award-winning ‘Spinal Column’ in The Times Magazine and a testament to ‘the art of getting on with it’.Unflinchingly honest and beautifully observed, this is a wise and inspiring memoir about risk and dilemma, heroism and love . Above all, The World I Fell Out Of is a reminder that at any moment the life we know can be turned upside down – and a plea to start appreciating what we have while we have it.

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A revealing and witty new examination of how Agatha Christie became the world’s most successful and popular female playwright, including details of never-before-published scripts and stories.Agatha Christie is revered worldwide for her books and her many film and TV adaptations. Less well-known today is her extraordinary repertoire of stage plays that firmly established her as the most successful female dramatist of all time.Now Julius Green raises the curtain on Agatha Christie’s towering contribution to popular theatre, from her first serious attempts at playwriting – in a very different style to the whodunits for which she became famous – to her record-breaking achievements in the West End and her conquest of Broadway. Astonishing revelations about this often disregarded side of her life are illustrated with extracts from hitherto unknown plays, deleted scenes from her theatrical classics, and unpublished private letters, including her extensive correspondence with the legendary ‘Mousetrap Man’, theatrical impresario Sir Peter Saunders.Meticulously researched and full of groundbreaking discoveries, this book adds a fascinating new layer to Agatha Christie’s remarkable story.

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The true story of a 6-year-old boy with a dreadful secret.Oskar’s school teacher raises the alarm. Oskar’s mother is abroad and he has been left in the care of ‘friends’, but has been arriving in school hungry, unkempt, and with bruises on his arms, legs and body. Experienced foster carer Cathy Glass is asked to look after him, but as the weeks pass her concerns deepen. Oskar is far too quiet for a child of six and is clearly scared of something or someone.And who are those men parked outside his school watching him?

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From the double Man Booker Prize-winning author of ‘Wolf Hall’, a wry, shocking and beautiful memoir of childhood, ghosts, hauntings, illness and family.At no. 58 the top of my head comes to the outermost curve of my great-aunt, Annie Connor. Her shape is like the full moon, her smile is beaming; the outer rim of her is covered by her pinny, woven with tiny flowers. It is soft from washing; her hands are hard and chapped; it is barely ten o'clock and she is getting the cabbage on. 'Hello, Our Ilary,' she says; my family has named me aspirationally, but aspiration doesn't stretch to the 'H'.Giving Up the Ghost is award-winning novelist Hilary Mantel's wry, shocking and uniquely unusual five-part autobiography of childhood, ghosts, illness and family.It opens in 1995 with 'A Second Home', in which Mantel describes the death of her stepfather, a death which leaves her deeply troubled by the unresolved events of childhood. ‘Now Geoffrey Don't Torment Her' begins in typical, gripping Mantel fashion: 'Two of my relatives have died by fire.' Set during the 1950s, it takes the reader into the muffled consciousness of her early childhood, culminating with the birth of a younger brother and the strange candlelit ceremony of her mother's 'churching'. In 'The Secret Garden' Mantel moves to a haunted house and mysteriously gains a stepfather. When she is almost eleven, her family flee the gossips and the ghosts, and resolve to start a new life. 'Smile' is an account of teenage perplexity, in a household where the keeping of secrets has become a way of life. Convent school provides a certain sanctuary, with tacit assistance from the fearsome 'Top Nun.' In the final section, the author tells how, through medical misunderstandings and neglect, she came to be childless, and how the ghosts of the unborn, like chances missed or pages unturned, have come to haunt her life as a writer.

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Sarah had lived in fear for over a decade. Humiliated, ostracised and brainwashed, her spirit had been crushed. But as the realisation of what she was subjecting her children to began to sink in, she found new strength and determination – the strength to try to escape the world that had consumed her for so long.Sarah was never a troublesome child. She smoked and drank a bit when she was underage, and shoplifted once, but she was generally well-behaved and didn’t mean to upset her mum and dad. But Sarah’s parents had seen first hand what could happen when a teenager went off the rails. Scared the same would happen to Sarah, they sent her away, many miles from home, to a church school that would put a stop to her bad behaviour.They had no idea they were sending Sarah to a place where she would be forced into obedience – a place that sanctioned force-feeding and beating in order to smash a child’s will. They had no idea she would end up marrying a boy from the cult, and cutting the rest of her family out of her life. Or that she would begin to treat her own children in the same way – believing there was no other option, and that everyone in the outside world was evil.But she did. And the day they sent Sarah away to the little church school miles from home was the last time they saw their real daughter for over a decade. Until one day when Sarah found the courage to fight back, the strength to protect her children and bravely venture into the world she believed was full of evil.This is Sarah’s story – the shocking but ultimately inspiring true story of her struggle to save her children from the suffering she was forced to endure.

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‘This is the most gripping book I've read in ages … It is beautifully written, fascinating, disturbing and often very funny.’ Roddy DoyleThe childhood world of Hugo Hamilton, born and brought up in Dublin, is a confused place. His father, a sometimes brutal Irish nationalist, demands his children speak Gaelic, while his mother, a softly spoken German emigrant who has been marked by the Nazi past, speaks to them in German. He himself wants to speak English. English is, after all, what the other children in Dublin speak. English is what they use when they hunt him down in the streets and dub him Eichmann, as they bring him to trial and sentence him to death at a mock seaside court.Out of this fear and guilt and often comical cultural entanglements, he tries to understand the differences between Irish history and German history and turn the twisted logic of what he is told into truth. It is a journey that ends in liberation, but not before he uncovers the long-buried secrets that lie at the bottom of his parents wardrobe.In one of the finest books to have emerged from Ireland in many years, the acclaimed novelist Hugo Hamilton has finally written his own story – a deeply moving memoir about a whole family's homesickness for a country they can call their own.

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Innocent is the shocking true story of little Molly and Kit, siblings, aged 3 years and 18 months, who are brought into care as an emergency after suffering non-accidental injuries.Aneta and Filip, the children’s parents, are distraught when their children are taken into care. Aneta maintains she is innocent of harming them, while Filip appears bewildered and out of his depth. It’s true the family has never come to the attention of the social services before and little Kit and Molly appear to have been well looked after, but Kit has a broken arm and bruises on his face. Could it be they were a result of a genuine accident as Aneta is claiming? Both children become sick with a mysterious illness while, experienced foster carer, Cathy, is looking after them. Very worried, she asks for more hospital tests to be done. They’ve already had a lot. When Cathy’s daughter, Lucy, becomes ill too she believes she has found the cause of Kit and Molly’s illness and the parents aren’t to blame. However, nothing could be further from the truth and what comes to light is far more sinister and shocking.

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